Date Released : 1 February 1954
Genre : Action, Drama
Stars : Paulette Goddard, Jean-Pierre Aumont, Richard Wyler, Karin Booth. The downward spiral of the quality of films Paulette Goddard appeared in in the 1950's would cause a gravitational blackout to anyone viewing them in a single day, but with some of the all-time great schlock names serving as the producers---Sam Katzman, the Danziger brothers, Albert Zugsmith and---gasp---Sigmund Neufeld--- the results easily met the low expectations. This one is set during the ..." />
Movie Quality : BRrip
Format : MKV
Size : 700 MB
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The downward spiral of the quality of films Paulette Goddard appeared in in the 1950's would cause a gravitational blackout to anyone viewing them in a single day, but with some of the all-time great schlock names serving as the producers---Sam Katzman, the Danziger brothers, Albert Zugsmith and---gasp---Sigmund Neufeld--- the results easily met the low expectations. This one is set during the time of the Crimean War and the efforts of the Allies to take the Russian naval base at Sebastopol. Jean Pierre Aumont and Richard Stapley are guardians of a new cannon that can pierce the walls of the Russian fortress, and also rivals for the favors of nurse Karin Booth who, as it turns out, is a Russian spy. Not a spoiler...somebody had to be. The Russians kidnap Stapley (in his pre-Richard Wyler days)to learn from him the secret of the new cannon. Aumont is assigned to rescue him. Oh, okay he says and sets out. On the way he encounters a gypsy family that includes Paulette Goddard as a ...
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Review :
CHARGE OF THE LANCERS (William Castle, 1954) **
This is director Castle's weakest epic offering that I have watched so far, devoid even of the hokey qualities that rendered SERPENT OF THE NILE (1953) tolerable and the entertaining campiness that marked SINS OF JEZEBEL (1953), from the same producer (Sam Katzman) and star (Paulette Goddard)!
As the title suggests, this is one from the fictionalized cinematic files of the British Empire (we even get to see Florence Nightingale do her thing!), except that the titular attack only turns up at the very end and, what is worse, is a direct replica of its own opening skirmish (though, instead of coming off as audacious as Luis Bunuel's deliberate repetition of one particular sequence in THE EXTERMINATING ANGEL 1962 would eventually be here it smacks of cheapskate tactics)! Besides, for whatever reason, the male lead was French Jean-Pierre Aumont (it is just possible that no British, or at least one who naturally spoke English, actor was prepared to lower his standard by appearing in such low-brow fare!) we are also supposed to believe him as an amateur boxer! As for Goddard, she was on her last legs anyway as an actress, so she probably would have welcomed any part at this point but it still does not excuse her embarrassing performance (as a gypsy) here!
The plot is quite dreary (involving romantic antagonism which eventually unveils a traitor, and there is also trickery with respect to a secret weapon coveted by the enemy, as the hero's best friend feigns amnesia so as not to spill the beans when captured, while Aumont himself naturally dons gypsy garb to move unnoticed in enemy territory when a General unsurprisingly takes a shine to the earthy and deliberately flirtatious Goddard) and the handling thoroughly dull (as if the director were somehow uncommitted to certainly uninspired by the material at his disposal). In the end, at just 70 minutes, the film makes for harmless enough (if decidedly unendearing) viewing
though the overall poor quality of the TCM-sourced print (especially when viewed on a 40" monitor) only serves to notch yet another point against it!
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