Date Released : 6 June 1952
Genre : Drama, Music
Stars : Ralph Meeker, Leslie Caron, Kurt Kasznar, Gilbert Roland. In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl friend Angela sticks by him, but her father, a blind man known as "The Judge" brands him a coward and refuses to let his daughter marry him. Socks joins the army, goes to Korea, and comes back a war hero. ..." />
Movie Quality : HDrip
Format : MKV
Size : 870 MB
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In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl friend Angela sticks by him, but her father, a blind man known as "The Judge" brands him a coward and refuses to let his daughter marry him. Socks joins the army, goes to Korea, and comes back a war hero. Everybody loves him again, except for the Judge. A secret in Sock's past is revealed as the explanation for his quitting the ring, and is also the key to his redemption in the eyes of the Judge.
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Review :
Bourbon Street balderdash...
Would-be 'hard-bitten' product from MGM suffers from too many disparate ingredients. A retiring newspaperman in New Orleans reflects on his best subject: a prize-fighter named Socks (!) who infamously deserted a boxing match at the eleventh hour; after stints as a huckster and as a soldier in the Korean War, he makes a celebrated comeback. This may very well be revered director Raoul Walsh's worst film--but really, no director could segue smoothly between these slabs of superficial melodrama, including a fighter with neuroses, his ballet-dancing girlfriend, her blind father the Judge, and a jazz-singing, trumpet-playing member of the troupe. As an early vehicle for Ralph Meeker and Leslie Caron, it's a wash-out; neither star is shown to a good advantage, although Caron's jerky choreography is an odd hoot and Meeker does look great in boxing gloves. Louis Armstrong's final musical number in a barroom is rousing--and his general good will is infectious--yet the music, the milieu, and the material never quite come together. * from ****
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