Gorilla at Large (1954)iMDB Rating: 5.2Date Released : 1 May 1954
Genre : Mystery, Thriller
Stars : Cameron Mitchell, Anne Bancroft, Lee J. Cobb, Raymond Burr
Movie Quality : BRrip
Format : MKV
Size : 700 MB
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At sinister carnival The Garden of Evil, the main attraction is Goliath, "world's largest gorilla...cost the lives of 1,000 men before his capture." Barker Joey Matthews is about to enter the gorilla act, teamed with seductive mantrap Laverne, the owner's wife. Then a man is found dead of a broken neck. Was it Goliath or someone wearing Joey's gorilla suit? Detective Sgt. Garrison finds four interlocked romantic triangles among the suspects...
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Review :
Glorious Techicolor
It's not so much that there's more than meets the eye as it is what
does meet the eye that makes this picture worth a look-see.
Sure, if you want to be all serious, then you could easily object to a
rather predictable plot, or some wooden performances (though I'd
have something to say about that), or a delightfully inept gorilla suit
that looks more like an animated swatch of shag carpet (the eyes
are so...human!). You could moan and groan about the film's
portrayal of women, etc., etc. You could call it a bad movie.
But you shouldn't! Firstly, it does offer the sorts of thrills that
B-movie fans relish: the lurid carny life, cartoonish violence,
trapeze artists in skimpy costumes, emotions writ large and
unambiguously (at least ostensibly).
In fact, I'd say that many of the performances are great, not
because they are especially moving or "realistic," but rather,
because the conventions of the genre frame them in such a way
as to be quite effective, and not least of all, gratifying. Anne
Bancroft smolders magnificently as a trapeze artist with quite a
shady past. Raymond Burr's controlling, yet ambiguous carnival
manager never fails to intrigue. Lee Marvin is great as a feckless,
blow-hard police officer. And perhaps most compellingly, there is
Lee J. Cobb, as a no-nonsense, cigar-chomping gumshoe. You
really get a sense of what an entirely watchable performer he is in
this picture, and personally I think he's better here than he is in "On
the Waterfront" (gasp!).
Camp values aside, the technical aspects of the film are
breathtaking. The picture's technicolors blast out of the screen,
aided by 3-D that is so sharply defined and brilliant that you feel
like you are watching some sort of moving ViewMaster reel. A
restored print has recently been struck and you'll be blown away if
you have a chance to see it. I'd say that its use of technicolor and
3-D are perhaps more impressive than even "House of Wax," and
certainly more accomplished than such unnecessarily 3-D'd
features such as "Dial M for Murder" or "Miss Sadie Thompson."
Color, violence, a beautiful girl and a gorilla--and in not one, nor
two, but THREE dimensions. What's not to like?
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