Date Released : 12 August 1953
Genre : Drama
Stars : Michiyo Kogure, Ayako Wakao, Seizaburô Kawazu, Saburô Date. In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her mother, who was a geisha and Miyoharu's friend, has just passed away; her father Sawamoto has failed in business; and her uncle is harassing her. Miyoharu is a warm-hearted woman and accepts to train her. One ..." />
Movie Quality : BRrip
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In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her mother, who was a geisha and Miyoharu's friend, has just passed away; her father Sawamoto has failed in business; and her uncle is harassing her. Miyoharu is a warm-hearted woman and accepts to train her. One year later, Eiko's father refuses to be her guarantor and Miyoharu borrows a large amount from the tea-house owner Okimi to buy her kimono and debut in a party. Miyoharu changes Eiko's name to Miyoe and introduces the teenager to clients as her sister. Soon Miyoharu is charged for the money but neither she nor Miyoe wants to have patrons.
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Review :
Superb, subtle Mizoguchi drama
I liked this better than the more schematic SISTERS OF THE GION. This story of an established geisha who takes on a younger one as a sort of apprentice has engaging characters and a quiet, low-key, intimate realism that's highly effective.
Since it's Mizoguchi, you know the direction, casting, lighting, sets, framing -- all the mise en scene -- are exquisitely sensitive and artistic. The acting is excellent, subtle and believable. Everything is "right", one might even say "perfect" -- an adjective one is tempted to apply to this director's work at its best. Every shot is beautifully, often breath-takingly conceived and executed.
The glimpses this film gives of the rigorous training and daily life of traditional geishas are a big plus that adds greatly to its interest.
Mizoguchi made poetry with a movie camera, and I would call A GEISHA one of his best films.
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